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Raoul Villain

1885-1936
Anthropometric record card. © Préfecture de Police

 

Raoul Villain was born in Reims on 19 September 1885 and died in Ibiza on 17 September 1936. He assassinated Jean Jaurès on 31 July 1914, on the eve of the start of World War I. He was acquitted at his trial in 1919.

 

Nationalist student

Raoul Villain was the son of Louis Marie Gustave Villain, head clerk of the civil court in Reims, and Marie-Adèle Collery, who suffered from mental illness and was interned at the asylum in Châlons-sur-Marne in 1887. His paternal grandmother, Émélie Alba, had also shown signs of brain disorders. During his grandmother’s funeral, before her tomb, he declared, "There are people who are playing Germany’s game and they deserve death!" shortly before he assassinated Jean Jaurès. He had an elder brother, Marcel Villain, court clerk, aviation lieutenant and Officer of the Legion of Honour, notably for his battle exploits during World War I.

Raoul Villain studied at the Jesuit middle school in the faubourg of Cérès, then at the high school in his home town, but he did not complete his studies. In October 1905, he enrolled at the École Nationale d'Agriculture in Rennes, where he came down with typhoid fever in November 1905, and nearly died. His police file states that, "before his military service he was considered a very serious young man, very gentle, well raised," he "kept no bad company, did not go to the cafés, nor to shows".

In November 1906, he was incorporated into the 94th Infantry Regiment in Bar-le-Duc, but was discharged in 1907. In June 1909, he received his diploma from the school in Rennes, ranking 18th out of 44. He worked in agriculture for six weeks in the arrondissement of Rethel, then came back to Reims to his father’s house. He went to Alsace in September 1911. From October 1911 to 29 June 1912, he was an invigilator at Collège Stanislas, with authorisation to prepare for the Baccalaureate. His rhetoric teacher, Abbot Charles, said that "he seemed unhappy to be alive. His compositions lacked depth, logic and consistency. One day I expressed my fears concerning the threat of war. Villain listened to me. He answered, "the enemies from the outside are not the most dangerous". He was gentle and polite with everyone, but never connected with anyone and was let go for his lack of authority. In 1912, he spent six weeks in London and about ten days in Loughton, to which he returned in 1913. He stayed with Mrs Annie Francis, who, according to The Observer of 6 June 1915, described him as "a gentle and very kind man". In March and April 1913, he also went to Greece, visiting Athens and Ephesus. In June 1914, he enrolled at the École du Louvre to study archaeology. According to his police file, "for seven years, the father has always spoken of his son Raoul with sadness. He had become exalted, unstable, affected by religious mysticism". He only came to Reims twice a year and "gave no details about his lifestyle in Paris, where he lived alone for four years".

A member of Le Sillon, Marc Sangnier’s Christian social movement, until it was condemned by Pius X in 1910, he then joined the “Ligue des Jeunes Amis de l'Alsace-Lorraine”, a group of far-right ultra-nationalist students, where he played an effective role, he reproached Jaurès for being against the law requiring three years of military service.

 

Assassination of Jean Jaurès

Little by little, Raoul Villain got it into his head to kill Jaurès. He bought a revolver and started stalking the Socialist leader, scribbling down incoherent notes on his habits in his wallet.

On Friday, 31 July 1914 at 9.40 pm, Jaurès was dining with his colleagues, sitting on a bench with his back to an open window at the Café du Croissant, 146 rue Montmartre, in Paris (2nd arrondissement). Raoul Villain violently drew back the curtain, raised his fist armed with a revolver, and shot twice. A bullet struck the Socialist orator in the head and he immediately collapsed.

The shooter tried to get away, running toward the rue de Réaumur, but was seen by Tissier, a layout man at L'Humanité, who followed him, hit him over the head with his cane and immobilised him on the ground with the help of a policeman. Taken to the police station, he cried, "Don’t tie me so tight, I don’t want to get away. Just take the revolver in my left-hand pocket. It’s not loaded."

This assassination, which took place three days before the start of World War I, helped to trigger the hostilities by rallying the left together, including some hesitant Socialists, in a "Sacred Union".

 

 

The trial

Awaiting his trial, Raoul Villain spent World War I in prison. In a letter sent to his brother from La Santé Prison on 10 August 1914, he stated, "I shot down the spokesman, the great traitor of the period of the three-year law, the big mouth who covered all the calls for Alsace-Lorraine. I punished him, and that was the symbol of a new era, both for the French and for Foreigners". The inquiry was led by the investigating magistrate, Drioux.

The trial opened on 24 March 1919 before the criminal court of the Seine in a context of patriotism, after fifty-six months of preventive detention. The accused was defended by attorneys Henri Géraud and Alexandre Bourson, aka "Zévaes", a former Socialist member of parliament. On the last day of the debates, Villain declared, "I ask for forgiveness for the victim and for my father. The pain of a widow and an orphan will leave no room for joy in my life". The popular jury was asked to answer two questions "1) Is Villain guilty of voluntary homicide on the person of Jaurès? 2) Was this homicide committed with premeditation?". After a short period of deliberation, the jury, by a vote of eleven to one, answered no on 29 March 1919. Raoul Villain was acquitted. The President of the Court ordered that he should be released and praised him for being a good patriot. The Court issued a degree granting one franc in damages to the plaintiff, and ordered the plaintiff to pay trial expenses to the State. Mrs Jaurès was therefore condemned to pay court costs.

In reaction to the verdict, Anatole France sent a short letter from his property, La Béchellerie, to the editors of L'Humanité, printed on 4 April: "Workers, Jaurès lived for you, he died for you. A monstrous verdict has proclaimed that his assassination was not a crime. This verdict makes outlaws of all of you, you and everyone who defends your cause. Workers, beware!" As soon as it was published, the letter gave rise to a demonstration organised by the Union de Syndicats and the Fédération Socialiste de la Seine on Sunday 6 April, following avenue Victor-Hugo all the way to Passy, where Jaurès had lived.

 

The death of Raoul Villain

In April of 1919, Raoul Villain had to leave Auxerre suddenly after hostile demonstrations organised by the workers’ unions. He returned to anonymity in Paris, staying at No. 7, rue Jean-Lantier, under the name René Alba. He was arrested on 19 July 1920 for trafficking in silver coins at a café in Montreuil, at the corner of rue Douy-Delcupe and rue de Vincennes and, out of despair, tried to strangle himself to death. Freed on 23 July 1920, he was sentenced by the 11th Criminal Chamber on 18 October 1920 to just a one-hundred-franc fine due to his mental condition. In September 1921, he shot himself twice in the stomach at his father’s office at the Reims Courthouse in protest against his father’s opposition to his marriage plans.

He expatriated to Danzig, where he worked as a croupier, then to Memel (now Klaipėda), where he lived until 1926. He moved to the island of Ibiza, in the Balearic Islands off Spain, in 1932. He inherited some money and moved into a hotel near Santa Eulària, more precisely at Cala Sant Vicenç, where the locals called him "el boig del port" (the madman of the port). With the help of a few friends, Laureano Barrau, the Spanish impressionist, and Paul-René Gauguin, the painter’s grandson, he undertook to build a bizarre house on the seaside. The residence, which still exists, was never finished.

Soon after the Spanish Civil War broke out, on 20 July 1936, the military garrison and the civil guards of the island took the side of the Francoists. The Republicans in Barcelona sent a detachment under the direction of Commander Bayo to take back the Balearic Islands. It landed on Ibiza on 8 August. On 9 and 10 September 1936, a column of nearly five hundred anarchists under the "Cultura y Acción" banner, arrived on Ibiza, leaving one hundred and fourteen dead. On 12 and 13 September 1936, the island was bombarded by the Italian aviation and, in the confusion, the anarchists executed Raoul Villain.

He was buried at the cemetery in Sant Vicent de sa Cala on Ibiza and a funeral mass was celebrated at Saint-Remi Basilica in Reims. His tomb at the Cimetière du Nord in Reims bears his name (and calls up his memory) and is the renovated tomb of his parents. Despite the family’s requests, his remains were never transferred to Reims.

 

Why Raoul Villain was acquitted

Jaurès’ assassin, who was 29 years old in 1914, had a fragile personality. The younger son of the head clerk of the civil court in Reims, he suffered from a serious heritage: his mother was in an insane asylum and his paternal grandmother suffered from a mystical delirium. After his incomplete secondary studies and years of uncertainty, he enrolled at the École Nationale d'Agriculture in Rennes in 1906, where he came down with typhoid fever that left him with nervous sequelae. Once cured, he did his military service, completed school, but gave up on being an agricultural engineer. He was attracted by Marc Sangnier’s social Catholicism and, in 1904, he joined Le Sillon, where he found the emotional warmth he had lacked. His appears to have begun to become unstable after the movement’s condemnation by Rome in 1910. Obsessed with Alsace and Lorraine, he joined the at Ligue des Jeunes Amis de l'Alsace-Lorraine the end of 1913 or the beginning of 1914, an organisation that included nationalists who were hostile to the regime, but also steadfast Republicans.

Villain knew that Jaurès was opposed to a three-year military service and that he had threatened a strike against the war. From then on, he saw him as "the big mouth" that had to be taken out. After seeing the antimilitarist demonstrations in Paris on 29 July 1914, his hatred for Jaurès grew. He bought a Smith and Wesson and, on 31 July at 9.40 pm, he committed the irreparable at the Café du Croissant, where Jaurès was dining with about a dozen friends. He was immediately arrested.

Initially scheduled for 1915, his trial was not held until 1919. Viviani, the President of the Council of Ministers who feared for the "Sacred Union", had asked the general prosecutor of the Seine to sign a postponement order; all of his successors did the same. After nearly five years of "preventive detention", an unusually long period that horrified the Human Rights League and some of Jaurès’ friends such as the journalist Séverine, Raoul Villain’s trial was held from 24 to 29 March 1919. He was defended by attorneys Zévaès and Géraud, while Paul-Boncour and Ducos de la Haille represented the plaintiff. On 29 March, the jury – deliberating alone – considered that Villain was not guilty; the President of the Cour d'Assises therefore acquitted him. Commentators denounced the attitude of the jury members, pointing out their age (all were over 50) and their bourgeois condition. Actually, alongside a rentier and a veterinarian, there was one employee and several artisans.

Above and beyond his heredity, various factors can explain the verdict. The plaintiff’s attorneys ignored Villain and concentrated their closing arguments on Jaurès’ memory. They called more than 40 witnesses (only 27 showed up), which made the trial drag on, no doubt much to the discontent of the jury members who were kept away from their daily business. To demonstrate that Jaurès’ ideas about the motherland and the army were distorted, attorney Paul-Boncour committed the imprudence of reading long excerpts from L'Action Française and from pamphleteer Urbain Gohier, with the risk of giving a very bad image of Jaurès. Villain’s attorneys, on the other hand, were very skilful. Lastly, acquittals were not uncommon at the time (Henriette Caillaux was acquitted in 1914, as was Germaine Berton in 1923).

It is commonly believed that Louise Jaurès had to pay court costs, but there are no official documents attesting to that. The court proceedings make no mention of this point and the newspapers give contradicting accounts.

The verdict was followed by huge protest demonstrations. Raoul Villain went on to live an adventurer’s life and was murdered on Ibiza in 1936 by a Spanish Republican or Anarchist according to some, by a Frenchman fighting in Spain according to others.

John Monash

1865-1931
Portrait of John Monash – 1918: Source: Wikimedia Commons – Public domain

 

The son of Prussian immigrants, John Monash was born in Melbourne, Australia, on 27 June 1865.

After studying at Scotch College and the University of Melbourne, he worked as a civil engineer, notably on the construction of a bridge over the Yarra River.

At the same time, he joined the university company of the 4th battalion of the Victoria militia in 1884 then the metropolitan artillery brigade in 1887, a year when he became lieutenant. Ranking as captain in 1895, a major in 1897, by 1906 he was a lieutenant-colonel in the intelligence corps. At the eve of the First World War, promoted to the rank of colonel, he was appointed to command the 13th Infantry Brigade. In 1913 he published 100 Hints for Company Commanders, a basic military training document.

At the outbreak of war, Monash was appointed to command the 4th Infantry Brigade of the Australian Imperial Force, a brigade of the Australian and New Zealand Army Corps (ANZAC) stationed in Egypt. After the harsh fighting during the Gallipoli campaign where, between April and December 1915, the ANZAC troops suffered major losses, Major General Monash rejoined the western front in June 1916.

Taking command of the 3rd Division, he led his men to victory during the attack on Messines Ridge, in Belgium, on 7 June 1917, then during the third Battle of Ypres in Passchendaele (July-November). As Lieutenant-General, the successor to Birdwood at the command of the corps of the Australian troops in May 1918, he led the victorious offensive in July to tale back Le Hamel then took part in the operations around the Somme, where the German had positions at various points, including Saint-Quentin and Péronne.

After the armistice, as Director-General of Repatriation and Demobilisation, he organised the demobilisation and return of Australian troops. He himself returned to Australia in 1919 and, retired from the army, held various civil post including General Manager of the State Electricity Commission of Victoria.

He died on 8 October 1931, in Melbourne.

He was made Knight Commander of the Order of the Bath by King George V, on 12 August 1918.

Guillaume Apollinaire

1880-1918
Apollinaire in the Italian hospital. 1916. Source: Historical library of the city of Paris

 

Born on the 26th August 1880 in Rome, Wilhelm-Apollinaris de Kostrowitzky was 18 years old when he arrived in the French capital before travelling to Germany as an advisor. Under the name Guillaume Apollinaire (his French Christian name), he soon became involved in the avant-garde literary movement. After having contributed to the Revue Blanche, in 1903 he founded his own review entitled Le Festin d'Esope. The cafés along the boulevard Saint-Germain and Montparnasse, the "Lapin Agile" cabaret and the "Bateau-Lavoir" artistes' workshop became popular meeting places with the likes of Picasso, Alfred Jarry, Vlaminck and Max Jacob etc. As well as his erotic works and art critiques for L'Intransigeant and Le Mercure de France, Apollinaire showed an interest in symbolic poetry. Derain illustrated his first book of prose, L'Enchanteur Pourrissant. In 1912, he was involved in founding the Soirées de Paris review. His break-up with Marie Laurençin, his partner since 1909, was the inspiration for his famous Pont Mirabeau.

"Under the Mirabeau bridge runs the Seine And our love affairs Must I be reminded that Joy always came after suffering."

The audacity of cubism, an important contemporary art movement, captivated Apollinaire, who defended it in his articles and sought to translate it into poetry, giving the latter a disjointed form. In 1913, following the issue of books on this pictorial school of painting, the publication of Alcools, which did not contain a single punctuation mark, made him famous.

In 1914, he shared in the cosmopolitan lifestyle of Montparnasse, spent time in Normandy and on the Côte d'Azur and was to meet Louise de Coligny-Chatillon, known as Lou, for whom he would write his famous letters. When the call-up came, he requested his naturalisation and on the 6th December he joined the 38th campaign artillery regiment in Nîmes. Transferred to the front in 1915, he fought in the Champagne region, where he was to become Sergeant.

"This mud is terrible on the sodden paths The eyes of the foot soldiers are depressing colours We will no longer go to the wood the laurels are cut The lovers are going to die and tell lies to their sweethearts" (Poèmes à Lou)

On the front, he corresponded with Madeleine Pages, who became his fiancée, and with his wartime "Godmother", the Languedoc poetess "Yves Blanc". Naturalised in March 1916, he transferred to the infantry as sub-lieutenant in the 96th I.R.

"Tonight the sky is full of sabres of spurs The gunners take off heavy and swift in the darkness " (Poèmes à Lou)

On the 17th March at La Ville-aux-Bois in the Aisne he was suffered a serious head wound from an exploding shell, which led to two trepanations. Discharged and abandoning the idea of marrying, Apollinaire continued to write many poems - including Le Poète Assassiné - at the same time turning his interest to the theatre: on the 18th May 1917, the première of Parade, a ballet by Diaghilev, took place, to which he had contributed and for which he invented the term "surrealism". On the 24th June the première of a truly surrealist play, Les Mamelles by Tirésias, took place. At the same time he held conferences and worked on a cinema screenplay. On the 1st January 1918, suffering from a lung infection, he was taken to hospital. Once he recovered, he married Jacqueline Kohl on the 2nd May, whilst continuing his contributions to Temps and Paris-Midi and began writing two theatre plays and a farcical opera "bouffe" called Casanova. Calligrammes had already been published.

On the 9th November 1918, the poet, his body weakened as a result of his war injuries, died of Spanish influenza. His body was laid to rest in Paris, at Père Lachaise cemetery.

 

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Loos en Gohelle

Loos Memorial and Dud Corner cemetery. Source: Lens-Liévin Tourist and Heritage Information Office

 

Invaded in October 1914, Loos-en-Gohelle was not liberated until August 1917 for which it paid the price of thousands of lives.

 

The town of Loos-en-Gohelle suffered huge losses during the war of 1914-18. Invaded on 10 October 1914, it was not liberated until August 1917 at the cost of thousands of lives. French, English, Scottish, Welsh and Canadian men all perished on the town’s soil, hence the number of memorials and groups that continue to preserve a trace of its history today.

The association “Sur les Traces de la Grande Guerre” (In the footsteps of the Great War), whose role is to preserve, safeguard and share this legacy, invites people to visit the Musée Alexandre Villedieu where all the objects on display come from the Loos battlefields. There were three major battles in Loos-en-Gohelle, within the triangle of hills of Artois (Vimy and Lorette) and the Douai plain.

 

The first battle took place on 9 May 1915. A diversion to the Battle of Lorette Hill, it was a deadly massacre for both French regiments.

The second battle began on 25 September 1915, and is more commonly known amongst the British as the Battle of Loos. This battle claimed many victims (among the British, 15,800 lives and 34,580 men injured; among the Germans, 20,000 killed or wounded). This battle is very dear to the British many of whom come to meditate at the graves in three British cemeteries in Loos-en-Gohelle. This battle liberated two-thirds of Loos as far as Hill 70 which remained under German control for a further two years.


The third battle took place on 15 August 1917. After the liberation of Hill 145 in Vimy, the Canadian soldiers arrived in Loos in mid-July to seize the remaining part of German-occupied Loos. Until 15 August 1917, 12,000 Canadians moved around in a network of underground tunnels planning the liberation of Hill 70.


 


The Loos footpaths (Sépultures path and Lone Tree path) are public ways where Great War fanatics and interested visitors can learn all about the historic past of Loos through the former World War I battlefields.


 


Musée 14/18 Alexandre Villedieu

Association "Sur les Traces de la Grande Foyer Omer Caron"

First floor, Place de la République 62750 Loos en Gohelle

Tel: +33 (0)3 21 70 59 75 or +33 (0)3 21 28 99 82

E-mail: a.villedieu@wanadoo.fr


 

Mairie de Loos en Gohelle (town hall)

Place de la République 62750 Loos en Gohelle

Tel: +33 (0)3 21 69 88 77

Fax: +33 (0)3 21 69 88 79

E-mail: contact@loos-en-gohelle.fr


 

Opening times: 9-11 am and 2-5 pm

N.B. Reservation only for afternoon visits.

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Address

Place de la République 62750
Loos en Gohelle
Tél. 03 21 69 88 77 Fax : 03 21 69 88 79 Musée 14/18 Alexandre Villedieu Association Sur les Traces de la Grande Foyer Omer Caron -1er étagePlace de la République 62750 Loos en GohelleTél. 03 21 70 59 75 ou 03 21 28 99 82E-mail : a.villedieu@wanadoo.fr

Prices

Free admission

Weekly opening hours

Opening times: 9-11 am and 2-5 pm (reservation only for afternoon visits)

Lens’ 14-18

With free admission, Lens’ 14-18 is an interpretation centre presenting the battles and events of the First World War over the 55 miles of the 1914-18 front in the Nord-Pas-de-Calais region.

 

Its aim is to give visitors of all ages a sense of what everyday life was like for soldiers of all nationalities during the First World War.

Set at the foot of the hill of Notre-Dame-de-Lorette, Lens’ 14-18 presents the First World War on Nord-Pas-de-Calais soil.

 

The contemporary building, designed by architect Pierre-Louis Faloci, is comprised of black concrete cubes called ‘chapels’.

 

Using innovative museological techniques, this international interpretation centre has an outstanding collection of iconographic documents (maps, archives photographs, film footage from the period) and emblematic objects from around the world, which reflect the viewpoints of all the protagonists (French, Germans, British, etc.). There are nearly 400 large-format photos on display. Dynamic maps illustrate the different offensives, and some 20 archive films immerse visitors in the Great War.

 

The permanent exhibition, designed by an international scientific committee chaired by French historian Yves Le Maner, offers the keys to interpreting and appropriating the themes and chronology of the First World War. It establishes a coherent account of the events that took place in the Nord-Pas-de-Calais region between 1914 and 1918. The major stages of the conflict presented are: the mobile war and the trench system; the bloody offensives and the occupation of the Nord; the 1918 offensives and death on the front; and ruins and reconstruction.

 

The display at Lens’ 14-18 makes the history of the First World War in the Nord and Pas-de-Calais departments accessible to the general public. The events are presented in summarised form, and visits take approximately two hours. The high-quality photos, objects from the collection and dynamic maps are exclusive to the centre, and help give visitors a rapid overview of the conflict.

 

Nearly 580 000 soldiers of 40 nationalities died along the 60 miles of front line spanning French Flanders and Artois. Their names are remembered at the Ring of Remembrance, the International Memorial of Notre-Dame-de-Lorette, 1500 metres above sea level, and their army data sheets can be consulted free of charge on digital tablets in the remembrance area of the Lens’ 14-18 museum.

 

Set at the foot of the hill of Notre-Dame-de-Lorette, Lens’ 14-18 presents the First World War on Nord-Pas-de-Calais soil.

 

The contemporary building, designed by architect Pierre-Louis Faloci, is comprised of black concrete cubes called “chapels”.

 

Using innovative museological techniques, this international interpretation centre has an outstanding collection of iconographic documents (maps, archives photographs, film footage from the period) and emblematic objects from around the world, which reflect the viewpoints of all the protagonists (French, Germans, British, etc.). There are nearly 400 large-format photos on display. Dynamic maps illustrate the different offensives, and some 20 archive films immerse visitors in the Great War.

 

The permanent exhibition, designed by an international scientific committee chaired by French historian Yves Le Maner, offers the keys to interpreting and appropriating the themes and chronology of the First World War. It establishes a coherent account of the events that took place in the Nord-Pas-de-Calais region between 1914 and 1918. The major stages of the conflict presented are: the mobile war and the trench system; the bloody offensives and the occupation of the Nord; the 1918 offensives and death on the front; and ruins and reconstruction.

 

The display at Lens’ 14-18 makes the history of the First World War in the Nord and Pas-de-Calais departments accessible to the general public. The events are presented in summarised form, and visits take approximately two hours. The high-quality photos, objects from the collection and dynamic maps are exclusive to the centre, and help give visitors a rapid overview of the conflict.

 

Nearly 580 000 soldiers of 40 nationalities died along the 60 miles of front line spanning French Flanders and Artois. Their names are remembered at the Ring of Remembrance, Notre-Dame-de-Lorette International Memorial, 1500 metres above sea level, and their army data sheets can be consulted free of charge on digital tablets in the remembrance area of the Lens’ 14-18 museum.

 

Sources: © Lens’ 14-18 - Centre d’Histoire Guerre et Paix

 

Local tourist office: Office de Tourisme et du Patrimoine de Lens-Liévin, 58, rue de la Gare - 62300 Lens

Tel.: +33 (0)3 21 67 66 66

 info@tourisme-lenslievin.fr

www.tourisme-lenslievin.fr

 

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Address

102 rue Pasteur 62153
SOUCHEZ
03 21 74 83 15

Prices

Free admission. For information on guided tours, visit www.lens14-18.com Free tour: Yes. Audioguide: € 3. Guided tours every Sunday at 3 pm: full price € 6, concessions € 3 or free of charge.

Weekly opening hours

Tuesday to Sunday, 10 am to 6 pm, April to mid-November Tuesday to Sunday, 10 am to 5 pm, mid-November to March

Fermetures annuelles

January

Site Web : www.lens14-18.com

World Centre for Peace, Freedom and Human Rights

Set within Verdun’s Episcopal Palace, the Centre Mondial de la Paix, des Libertés et des Droits de l’Homme draws a link between the battlefield of Verdun and the contemporary era. The First World War centenary, Franco-German relations and contemporary conflicts are among the themes of the exhibitions, which enable a better understanding of our history and our world.  ? 14th Verdun History Book Fair - 4 and 5 November 2017 - Official website - Press pack - Flyer

After visiting the battlefield of Verdun, whose scars still visible 100 years on remind us of the horrors of war, a visit to the World Centre for Peace is a must. A symbol of the Great War, Verdun as the “Capital of Peace” offers a better understanding of how a regional crisis can deteriorate into a major conflict, how Franco-German relations have succeeded in overcoming the horror and the hatred born of the conflicts, how day after day the protection of human rights and freedoms is the best defence against a crazy world capable of the worst acts of destruction and madness.

 

Visitors will appreciate the outstanding charm of Verdun’s Episcopal Palace, a listed building from the 18th century, which for the past 30 years has been home to the Centre Mondial de la Paix, des Libertés et des Droits de l’Homme. In the 18th-century gardens, which can be visited free of charge, you can see a section of the Berlin Wall and discover its history, as well as enjoy one of the finest views of the town of Verdun.

 

The Centre presents a number of permanent exhibitions, on such varied themes as the First World War, Franco-German relations, contemporary conflicts and human rights.

 

Schoolchildren will enjoy the activity packs and workshops prepared by the education team and Canopé Meuse, while the scientifically inclined will be fascinated by the centre of excellence in First World War and Franco-German remembrance, which is the result of close cooperation between the different organisations housed in the Centre. 

 

Visitors will love the shop, with its more than 500 books to suit all ages.

 

Intended from the outset as a meeting place, the Centre Mondial de la Paix, founded in the presence of the UN Secretary-General, hosts a large number of events in its function rooms (which seat 20 to 300 people and include a film room). Conferences, film club, book fair... Not a week goes by without an event, usually with free admission to the public.

 

Since mid-April 2016, a group accommodation capacity of 56 beds means that parties visiting Verdun have somewhere to stay.

 

Sources: ©Centre Mondial de la Paix, des libertés et des droits de l’Homme

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Practical information

Address

Place Monseigneur GINISTY – BP10183 55105
Verdun
03 29 86 55 00

Prices

- Full price (according to visit type): € 5 to € 12 - Young people (according to visit type): € 2.50 to € 7 - Groups (according to visit type): € 3.80 to € 20 - Free of charge to children under 6

Weekly opening hours

Tourist season (April to November): 10 am to 6 pm Low season: 10 am to 12.30 pm / 2 pm to 6 pm

Fermetures annuelles

20 December to 5 January Local tourist office: Place de la Nation - 55100 Verdun - Tel.: +33 (0)3 29 86 14 18